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The primary element in each of my paintings is color. My landscape-inspired geometric designs serve as the framework for my paintings. Composing flat components in muted colors creates distances. I have always wondered why people like or dislike paintings. It made me consider how feelings, vision, and a little science relate to one another. I also analyzed the works of colorists Wolf Kahn, Milton Avery, Rothko, and Nicolas de Stael. As a result, my compositions have a passive tone and gradually elicit a parasympathetic response. In terms of technique, my compositions use contrasting tones to guide saccades. I began my art career by painting portraits on commission. I studied portrait and landscape painting at the Chitra Mandir Art Institute in India. In recent years, I switched from oil and watercolor to acrylic and impasto styles using palette knives.
